Intervento critico pubblicato sul volume Scripta Maneant che ha accompagnato la recente mostra “Leonardo da Vinci e i contemporanei” che si è svolta a Palazzo Martinengo Casaresco a Brescia. (articolo in Italiano)
“The last supper” by Luca Bonfanti is a conceptual masterpiece of great importance in the contemporary art outline.
The artist has an extraordinary ability in transferring his free considerations on the canvas, his sincere and brave personal reflections about one of the most fascinating moments of the history of religions, and of art.
Bonfanti faces a highly symbolic moment for humanity, laying himself bare and facing the sensations coming from a careful analysis.The artist’s deep emotional sensitivity and his cultural insight create the ideal assumptions to dive in the inner meaning of the work of art whose interpretation was the luck of great personalities in the history of art, starting from Giotto, Andrea del Castagno, Perugino, Giorgio Vasari, Domenico Ghirlandaio, Tiziano, Tintoretto, Barocci, Salvador Dalì, Rubens finishing with the most famous one: Leonardo da Vinci.
After witnessing a lot of different interpretations, even if influential, in which the characters represented appeared motionless and hieratical, and after Leonardo’s revolution, nowadays we see the brand new Bonfanti’s attitude at the moment in which he reaches a new transfiguration of Jesus Christ’s last dinner with the Apostles, fixed by the only strength of signs and by the depth of the colour.
The words that in Leonardo’s work Continua a leggere ““The last supper” by Luca Bonfanti – (Eng)” →
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